Every book I write is different.
My writing process, for good or bad, is not.
Since I am in the throes of revising to meet a December deadline, thought I would share the exact process I go through to write a book.
Granted, I’ve only written nine books in the last three years (only three of which will likely ever see the light of day) but the following list is a somewhat humorous and oh-so-accurate depiction of my writing life:
- Struggle with idea (multiply this by 10)
- Run idea by agent.
- Agent points out the wonderful bits, kindly calls horrible bits “problematic”, suggests new bits, sends me back
- I write a synopsis
- Rinse, Repeat
- Final synopsis
- I do an outline, write character sketches, think of backstory that I will forget in about one week, realize my synopsis is so vague as to be almost incoherent, and promptly begin to write and throw away half of synopsis by the end of the first quarter
- Characters run amok
- Plot turns out to be plotless
- Someone who I’ve not been expecting shows up and decides they want to be in my book. I ask them to leave, but it turns out they are more interesting than half the characters I drafted sketches for and allow them to stay, at which point they completely bugger up the plot some more
- Finish first draft. Allow self one hour of solid jubilation then switch into a shame spiral, where I decide I really ought to call my agent and explain what a mistake she has made and then call my editor and give her money back.
- I do neither of these things because I am inherently selfish
- Begin draft two. Realize draft one must be set on fire. Characters taunt me. Plot holes are so deep I fall int them and take days to dig out. I soldier on, because I am Capricorn, and frankly, that’s what we do
- Finish draft two. Have some moments of jubilation. Come to shocking conclusion that my unmatched brilliance is unmatched because there is no brilliance. Somehow, dreams of writing like Neil Gaiman has given way to writing like the wanted ads or a bad Saturday Night Live sketch
- Send to critique partners
- Receive their feedback
- Move to fetal position. Check want ads. Wonder if my fifties is too late to become a plumber. Don’t care; plumbing is a noble art
- Crawl out of hole
- Take what is useful from critique partners and beta readers and my own understanding after doing first two horrible drafts
- Rewrite
- Discover there is a book there
- Finish third draft – there is no jubilation, but there may be alcohol and chocolate
- Send to agent
- There is a book there, but it is hidden under bad writing and ill-conceived plot and characterization
- Start fourth draft. Wait – there may be themes. Actually have decent descriptions. Characters more fully created and less likely to taunt me because they want to make the cut
- Finish 4th draft.
- Agent blesses me or sends me for counselling
Do it all again with editor
Am I alone in my misery????